Artists and Place Studies

Home

Place

Approaches to place

No prior memories

Place built up over time

Enduring histories

Sentience of place

Material culture

Imagined geographies

Media's treatment of place

Connections unseen

Architectural spaces

People's influence

Triadic approach: Interactions

Triadic approach: Identity

Triadic approach: Expansion

Triadic approach: Concentration

Triadic approach: Order

Triadic approach: Freedom

Impasses and blindspots

Responsibilities

Viewing positions

No privileged centre

Resisting history

The whole and the parts

extra

Artists and Place Studies

Home

Place

Approaches to place

No prior memories

Place built up over time

Enduring histories

Sentience of place

Material culture

Imagined geographies

Media's treatment of place

Connections unseen

Architectural spaces

People's influence

Triadic approach: Interactions

Triadic approach: Identity

Triadic approach: Expansion

Triadic approach: Concentration

Triadic approach: Order

Triadic approach: Freedom

Impasses and blindspots

Responsibilities

Viewing positions

No privileged centre

Resisting history

The whole and the parts

extra

People's influence

People’s influence

Sue Michael, South Australian Canine Association, Saturday morning, 2017, acrylic on Arches oil paper, 40 x 113 cm — Sue Michael, South Australian Canine Association, Saturday morning, 2017, acrylic on Arches oil paper, 40 x 113 cm

More notes to follow.